In the crisp February air of Johnson City, the stage at the ETSU Martin Center for the Arts became a vibrant canvas of Appalachian spirit and contemporary artistry as Amythyst Kiah returned to her alma mater. The evening of February 19, 2024, was not just a concert; it was a celebration of cultural roots and musical evolution witnessed by a packed auditorium of enchanted spectators.
The night started with speakers from the several groups that worked together to bring Kiah to perform at ETSU. Bravissima: Women Sponsoring the Arts, UMOJA, Crafting Blackness Initiative, and ETSU Black American Studies Program. Program Director, Dr. Daryl Carter, commented, "Tonight was a profound demonstration of the cultural richness that Appalachia holds. Amythyst not only brought her music but also her message, resonating deeply with everyone here."
From the first strum of Kiah's guitar under the warm stage lights, the audience was captivated. The backdrop—a rich tapestry of moody blues and earthy greens—set the scene as her voice, powerful yet haunting, filled the air, already heavy with anticipation. Photos from the night show Kiah in her element, with the audience hanging onto every note, reflecting the deep connection between the artist and her Appalachian heritage.
With her soulful melodies and compelling lyrics, each song was a journey through the highs and lows of life with her powerful voice echoing off the walls of the Martin Center.
As the night unfolded, each song told a story of struggle, empowerment, and hope. Whether it was the resonant "Black Myself" or the soul-stirring ballads that speak of life's complex tapestry, Kiah's performance was a profound reminder of the power of music to bridge gaps and heal wounds.
. "Seeing Amythyst perform on this stage, where she once was a student, brings a full circle moment for all of us," Dr. Carter added during the post-concert interview.
Following the concert sponsors visited to Kiah to gift her a beautiful replica of a portrait done by local artist and ETSU MFA student Akintayo Akintobi.
Amythyst Kiah’s return to ETSU was not just a musical event; it was a beacon of inspiration for the students and the broader Appalachian community, showcasing the enduring power of roots and the beauty of their evolution. The standing ovation as the curtains closed was a testament to the deep, emotional impact of the night—an echo of Appalachian pride that will resonate for years to come.
The concert at the Martin Center, with its vivid red stage and the heartfelt performances by Kiah and the Twin Taters, was a testament to the enduring power of Appalachian music and its ability to speak to universal themes of identity, resilience, and belonging. As the final notes lingered in the air, the audience was left with a sense of having witnessed something truly special—a celebration of art, education, and community that will resonate within the halls of ETSU and beyond.
